| Roland Jones | |||||
| AP Music Theory | |||||
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Course Syllabus
and Grading Policy Advanced Placement
Music Theory 2001-2002 Instructor: Mr. Jones Room:
Fine
Arts Bldg. Choral Room Office
Telephone: Course
Description: AP Music Theory is a full-year course that meets five times a week, for 50 minutes. Students may take AP Music Theory with no prior knowledge. Each session begins with ear training, either from the piano or recorded literature. Homework and tests are frequent. Keyboard exercises are evaluated, while sight singing is a “kinder, gentler” study involving less frequent evaluation. Every student must take the AP Music Theory Exam given in the spring semester. Resource Materials Fish,
and Lloyd. Fundamentals of Sight-Singing and Ear Training.
Dodd, Mead, &
Company, Inc. 1964 Kostka,
Stefan, and Dorothy Payne. Tonal
Harmony with an Introduction to Twentieth-Century
Music. 2nd
ed. New York: Knopf, 1989 Workbook for Tonal Harmony. 2nd Ed. New York: Knopf, 1989. Course Outline First
Trimester Reading
Tonal Harmony. Chapters 1-5. Major and minor scales, key signatures, intervals, triads
and inversions, 7th chords, inversions, fiqured bass symbols,
diatonic triads. Roman numerals, simple and compound meters. Written Skills Workbook materials, other similar exersices. Ear-Training Skills Rhythmic dictation, melodic dictation (conjunct motion), Some smaller skips with emphasis on strategies for dictation, interval identification, triads seventh chord identification. Sight-Singing
Melodies selected from Fish. Strategies for
sight-singing, conjunct melodies with smaller intervallic leap, melodies
in major and minor modes, treble and bass clefs. Keyboard
Skills
Major and minor scales, triads and inversions,
seventh chords and inversions. Second Trimester Reading
Tonal Harmony. Chapters 6-10. Voice-leading, part-writing, harmonic progression,
triads in 1st and 2nd inversions, cadences
phrases. Written
Skills
Workbook materials, original melody, and
harmonization. Ear-Training
Skills
Continue interval, triad, and seventh chord
identification, melodic diction (longer diatonic melodies with larger
leaps), harmonic dictation (strategies, soprano/bass lines, simple
progressions), error dictation. Sight-Singing
Simple melodic progressions. Other
Activities
Take released 1990 AP Music Theory Exam and discuss
results in class. Third TrimesterReading
Tonal Harmony. Chapters 11-17. (Nonchord tones diatonic seventh chords). Secondary
dominant and secondary leading tone chords. Written
Skills
Workbook materials, original composition using
nonchord tones and diatonic seventh chords. Workbook materials, short
compositions using secondary dominant and leading tone chords. Ear-Training
Skills
Continue applying strategies to original melodies and
those selected from Fundamentals
of Sight-Singing and Ear-Training. Keyboard
Skills
Harmonic progressions using diatonic seventh chords
and nonchord tones. Harmonic progressions using secondary dominant
chords. Other
Activities
Take released 1994 AP Music Theory Exam and discuss
results in class Review
Intensive
review and preparation for the AP Music Theory Exam; exploration of
careers in music (after exam in May). Throughout
the course, written and aural musical examples are analyzed and
discussed with relation to concepts covered in class.
Grading Policy Quizzes on written skills will be given on most Fridays. Ear-Training and aural quizzes will be given frequently. A project will be assigned for each six-weeks. “Daily Grade” includes both written homework and in-class assignments. Tests:
40%
Daily Grade: 20% Quizzes:
30%
Project: 10% Conduct checks will be recorded for unacceptable behavior, e.g., excessive tardies (more than 2), talking while teacher is talking, uncooperative attitude, working on other homework assignments. Each check will lower the student’s conduct grade by one point. Extra
help is always available before and after school. |
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